Record. Mix. Master.

Full service music production studio in Brooklyn, NYC. Two tracking studios with Neve 8088 & Neve 8058. Hybrid Analog/Digital mix room. State-of-the-art mastering studio.

View fullsize @neumann.berlin knew they had something special with the #U47 condenser released in the late 1940s . When the VF14M vacuum tube inside became obsolete, there were a few different strategies to succeed it . One was a service bulletin that detailed rep
View fullsize The biggest obvious difference between our vintage and reissue @thisisapiaudio #api525 compressors is the shape of the buttons . The old units have round pushbuttons while the reissues have the same small, square buttons that can be found on most oth
View fullsize The #Neve8816 at the bottom of this frame has its days numbered… at least in this rack! . We’ve got a custom summing mixer solution in the works that’s going to be tailored to our specific needs in this room (more info to come late
View fullsize When the large #recordingstudio business was bigger, the more-established shops would often brand and serialize their own gear . A close look at this #AKG C452 shows that it’s engraved “Heider” along with an in-house serial number .
View fullsize #Rust (iron oxide) has played a pretty central role in the history of #recording . If you look at the fresh piece of @atrmagnetics tape pictured here, you can see a bit of a brownish-red color. This is because it’s laced with iron oxide particl
View fullsize So many ways to record a #kickdrum! . We’ve used all of the #microphones in this picture—and more—to #record bass drum. . Some of them—like the #Neumann #U47FET and #M147 (both pictured toward the right of the frame) tend to b
View fullsize A shot of the #EMT plate reverb remotes built in to our #studio B Neve console! . Most vintage #Neve desks were highly customized by the factory; each an order that was tailored to the client’s specifications . As a result, the larger #neve8088
View fullsize Some of the mono #EQs in our new #mixroom setup . It’s a mix of BFE/#Filtek, #Siemens, #Pultec and Pultec-like (made in-house from vintage parts) units . In addition to these, we also have some API units on the other side of the room, as well a
View fullsize An #AmpegGemini and a pair of Voxen . While Fender amps probably see the most use around here, these other options should not be overlooked! . The #Ampeg is a vintage example, while the #AC15 and #AC30 are reissues . Each has a visual hallmark—
View fullsize The #Neve33609 stereo compressor has been through numerous revisions since its introduction in ’85 . We now have two of them in our #mixroom, in the #multibus section of our rack. The 33609 is a rather aggressive box with a pronounced sonic sig
View fullsize Arguably one of the most important innovations of the 20th century was the #FET, or field effect #transistor . Unlike a vacuum tube, which is a hollow glass or metal envelope that contains a vacuum and some electrodes within, a FET is a solid device
View fullsize Few names in #recordinggear are as recognizable as #Neve, but the brand has had quite a winding path w/ lots of ups and downs . Rupert Neve started making recording consoles in the early '60s. These early desks were, by all accounts, of high-quality.

Select clients include Spoon, Big Thief, Lake Street Dive, Deerhunter, Parquet Courts, Lettuce, The Black Keys, Hinds, Son Lux, Toshi Reagon, Brad Mehldau, Brian Blade, Mark Guiliana, Chris Potter, John Pattitucci, Cecile McLorin, Mary Halvorsen, Nels Cline, Vijay Iyer, Theo Croker, Max Richter, Bang on a Can, Son Little, Acme String Quartet, Russ Elevado, Melt, Matt Koma, Justine Skye, Eli Keszler, K Flay, Geoffrey Keezer, Nate Smith and many more.